This project used two filmmaking methods I’ve written about before—hyperlapse and long-term timelapse—and a newer technique, first-person view (FPV) drone filming. I needed an experienced pro to help me create some epic footage of the VLEST interior—and I knew just who to ask.
Will Strathmann is an accomplished FPV pilot and cinematographer whose clients include National Geographic, Super Bowl contenders, and Grammy-winning musicians. But to me, he’s just Will, someone I’ve known since he was six years old and part of my wife’s inaugural class of first-grade students. We reconnected after I learned of his career in photography and filmmaking, and we first worked together a decade ago on a fundraising film for the Chester Charter Scholars Academy.
Original planning talks with Penn had centered around timelapse, but I knew FPV would highlight the building’s interior in a unique, exciting way and pushed for Will’s involvement in the project. Penn agreed, and the results speak for themselves.