Botany, Blessings, and B-Roll

Here at 215 Timelapse, we love to get in on the ground floor of a building’s construction, both literally and metaphorically, but we’re just as happy to add finishing touches to a project in progress. By working with existing footage and adding some of our own, we created a film that captured the museum’s “growth” from a pit in the ground to the sprawling garden that now surrounds it.

Located in Philadelphia, where Alexander Calder was born, Calder Gardens is a two-part “sanctuary” made up of a partially underground space that houses a rotating installation of Calder’s artworks and a four-acre garden, designed by renowned landscape architect Piet Oudolf, that serves as a subtle transition between city and gallery.

After breaking ground three years ago, builders LF Driscoll installed a camera to capture the building’s construction. They also flew a drone over the site at regular intervals to document the whole site’s progress, including the garden grounds. This past spring, they asked me to begin transforming that footage into a blended hyperlapse shot. After editing, these two shots open the film above.

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This preview clip of the garden’s installation is made up of footage from a secondary camera I set up earlier this year.

Anyone who’s worked on a film, no matter the scale, knows the importance of supplemental (“B-roll”) footage. Over the summer, I set up and moved around a secondary camera at the Calder Gardens site to capture the outdoor area’s completion from additional angles, resulting in the close-ups that appear midway through the video

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My solar-powered camera took in the sunlight alongside the plants waiting to be installed.

In June, as plant installation began, I filmed a blessing ceremony led by members of the Nanticoke Lenni-Lenape Tribal Nation . The ceremony footage ultimately ended up on the cutting room floor due to length, but it can easily be repurposed for later promotions—or shared on this blog for readers to enjoy!

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    A separate blueprint was needed to map out the installation of some 37,000 plants, many of which are native species.

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    Representatives from the Nanticoke Lenni-Lenape Nation addressed the crowd at a site-blessing ceremony in June.

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    At one point, my camera was perched on what would eventually become a fence post. This gave it a great view of the action without getting in the way of construction.

“Rich has an incredible eye for videography and timelapse production, and his ability to blend footage from multiple sources into one seamless story is unmatched. This was our fourth project with him, and each experience has been outstanding.”

—Jessica Matase Slattery, Regional Director of Marketing, LF Driscoll